![]() ![]() XP2 SUPER is also special in that you can shoot at different speeds from ISO 50 to 800 on the same roll of film and process as standard C41. However, the key differentiator of this film is that while it is a true black and white film, it can be processed in C41 type processing chemicals alongside colour negative films. This makes it the best choice for photographers who want to shoot film yet want the convenience of being able to get it processed on the high street. This makes it an excellent choice for scanning as well as enlargement prints. XP2 SUPER also provides enhanced negative contrast for optimum black & white print quality. It has a particularly wide exposure latitude and delivers excellent results, including well-defined highlights and shadows, even in unpredictable lighting or high-contrast scenes where there can be wide-ranging subject brightness. All film is processed in a dip & dunk processor and sleeved and uncut, unless specified. Our processors and monitoring equipment are state of the art. It is extremely versatile to use making it an excellent all-rounder to have in your camera. It is a black and white film that is processed in C41 type processing chemicals alongside color negative films. C-41 and Black and White Film Processing Denver DigitalImaging Center C-41 and Black and White Film Processing Denver Digital has been processing negative film for over 50 years. If that film is one of the two I mentioned, and you've overexposed by a stop or so, the results will probably be better.ILFORD XP2 SUPER is a fast, sharp, black & white film with fine grain and a wide tonal range. I think you'll find that if you drop off any quality 400 speed film and ask for black and white prints, the results will be very similar. The reason that prolabs give you 'true' black and white images with C41 film is because the employees generally know enough to print these images as a greyscale without being told to do so. The only way to NOT get any colour cast at all is for the lab to print it as a greyscale, in which case you may as well have shot colour film anyway. As I recall the Kodak is green, and the Ilford is magenta. They also take better to automated digital editing, such as blemish removal.Īll the C41 films have a colour cast in the midtones, even if it's minute. Granted the colour films cost a bit more, but they give you the option of also having a colour print, should you change your mind later. I literally can't remember a single image I've shot with C41 BW film that I couldn't have done just as well with Portra or 400H converted to greyscale. Based on my own experiences with it, I really think it works best with medium format rather than 35mm. It simply does not have the kind of grain which most people like to get with real ISO 400 pr above black and white film. Even if you want a sepia-like tone, it's best to greyscale it and then add the sepia.Īll in all, I think it only ends up looking good when used under circumstances which ensure a creamy, grainless photograph, otherwise, it's downright ugly. If you scan it, you have to greyscale it afterwards unless you want to keep the colour. ![]() This was fine originally, because when developed, it was assumed that it would be printed on black and white paper in the darkroom, just like any other B&W film. Honestly, I'm not sure it does anything different than just using C41 colour film and converting the scan to monochrome.Īs you have found, the film is not really black & white. I've never been as happy with C41 B&W films as I have with real B&W, but I've used it for the same reasons you have. So I would like to know what the forums experience with C41 B&W film. This was for people who wanted the aethetics of b/w with the convenience of one-hour C-41 processing. I have had 2 labs shut down or quit completely developing B&W film in the last year alone. Kodak makes a film that processes in C-41 but prints black and white (only the reds are processed). Film ISO 400/27 in C-41 Process Very Wide Exposure Latitude Fine Grain and. Also finding a good lab to develop B&W film is getting harder and harder. Ilford XP2 Super 400 Overview Key Features Panchromatic B&W Chromogenic Neg. Let's face it with the explosion of Digital photography finding Kodak Tmax (my old standby b&w film) and Tri-x are getting harder to find and the cost keeps going up. The reason I am thinking of useing C41 B&W is because of the cost of both the film and the developing is much cheaper. The film was run through my local 1 hour lab and it came back with a bit of an orange tint to it, almost looked like Sepia. I was some what happy with the results, but mostly I was very unhappy. I bought some C41 process Black and White Film from my local CVS the other day and tried it out. I am new here on the forum and I am finding myself shooting more and more black and white pictures with my old trusty film cameras a Nikon N6006 and Nikon N90s. ![]()
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